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by AFI as the second greatest American film score of all time. For example, a shepherd boy might play a flute along with the orchestra heard in the background or a random, wandering violinist might follow around a couple during a love scene. 9 :206 Filmography edit Main article: Max Steiner filmography The American Film Institute respectively ranked Steiner's scores for Gone with the Wind (1939) and King Kong (1933) #2 and #13 on their list of the 25 greatest film scores. Eventually, Steiner became a Hollywood asset. The Making of King Kong: The story behind a film classic. 44 :223 Composer of the Star Wars film score, John Williams cited Steiner as well as other European emigrant composers in the 1930s and 1940s "Golden Age" of film music as influences of his work. 2 The Treasure of the Sierra Madre (1948 Steiner uses the music to intensify the anguish of Bogart and Holt, when they are left to dig a mine in the hot sun. It expressed Kong's "feelings of tenderness towards his helpless victim." The music underscores feelings that the camera simply cannot express.

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Tantra massage for mænd tantra massage studio herning A b c d e f g h i j Evans, Mark (1975). 20 Steiner often followed his instincts and his own reasoning trafik tyskland vejarbejde tungepiercing info in creating film scores. 62 9 :207 Albert. A year later, he even wrote a letter emphasizing the value of original film scores. Operetta: A Theatrical History.
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